Thứ Năm, 7 tháng 6, 2012

Người thông minh không bao giờ chê người khác khờ

The woman seemed to be making some pretty good points, until she stopped with, “Ugh! Those (people she disagrees with) are just so stupid!!”

She could have said Southerners, Northerners, Republicans, Democrats, Indians, or Americans. It doesn’t matter. She had just proven that she wasn’t being smart.
There are no smart people or stupid people, just people being smart or being stupid.
(And things are often not as they seem, so people who seem to be doing something smart or stupid, may not be. There’s always more information, more context, and more to the story.)
Being smart means thinking things through - trying to find the real answer, not the first answer.
Being stupid means avoiding thinking by jumping to conclusions. Jumping to a conclusion is like quitting a game: you lose by default.
That’s why saying “I don’t know” is usually smart, because it’s refusing to jump to a conclusion.
So when someone says “They are so stupid!” - it means they’ve stopped thinking. They say it to feel finished with that subject, because there’s nothing they can do about that. It’s appealing and satisfying to jump to that conclusion.
So if you decide someone is stupid, it means you’re not thinking, which is not being smart.
Therefore: smart people don’t think others are stupid.
Source: Derek Sivers web
Đây là một mẫu mực về văn phong, sử dụng từ, phong cách diễn đạt đơn giản, súc tích, ý tưởng và logic hoàn hảo của Derek Sivers. Bố trích dẫn ra đây để Su học hỏi và vận dụng cho các bài essay của mình. 

Thứ Năm, 24 tháng 5, 2012

New Era Ahead for Liberal Arts Education


America's higher education system -- a world model for many generations -- is under siege.
Changes in economics, technology, demographics and attitudes regarding the relevance of a college degree are forcing many institutions to rethink the way they operate. These changes are likely to endure well beyond the eventual recovery of the overall economy. Not since the 1960s, when the number of students attending colleges doubled and all-male institutions began enrolling women, has there been such a paradigm shift in higher education.
But momentous challenges can be a powerful incentive to do things better. They can also force us to take a necessary pause from the status quo to explore new and creative ideas for future development.
This was the impetus behind a first-of-its-kind conference held this spring at Lafayette College.
Titled "The Future of the Liberal Arts in America and its Leadership Role in Education and Around the World," and supported with a grant from the Andrew W. Mellon Foundation, the conference was cosponsored by Lafayette and Swarthmore colleges and drew more than 200 college presidents, provosts, faculty and foundation and association officers from around the country.
Three days of concentrated discussion reinforced our belief that the model represented by the small residential college offers undergraduates a highly personalized education, and is of enduring importance in the development of 21st citizen-leaders.
A recent survey by the Annapolis Group, a consortium of 130 leading liberal arts colleges including Lafayette, found that 77 percent of alumni from liberal arts colleges rated their undergraduate experience as "excellent" compared to 59 percent from private universities and 56 percent from the top 50 public universities
Alumni from liberal arts colleges also reported being more satisfied with their graduate experience and felt better prepared for life after graduation, changing careers and attending graduate schools than did their peers from other institutions.
While this study reinforces that what we do has value, value is a relative term if what we offer is not within the financial means of many families. So how do we control rising tuition without impacting the educational experience we offer?
Sharing academic resources with other institutions and the private sector is a start. The Associated Colleges of the South, a consortium of 16 liberal arts colleges and universities, is already doing this. Through the use of video conferencing, a student at one institution can take courses at another. The five undergraduate and two graduate institutions that comprise Claremont Colleges in California also share campuses and resources.
This approach allows colleges to focus and invest precious resources on their strengths or centers of excellence without sacrificing diversity of offerings. It also provides a path for controlling costs.
Eugene Tobin, program officer of The Andrew W. Mellon Foundation, pointed out at the conference that liberal arts colleges "struggle alone with faculty development, curricular renewal, globalization... and with a vast array of administrative and operational service." These are areas of operation ripe for collaboration. It's unsustainable to be all things to all students, even though many of us have tried, adding programs and initiatives in an effort to fulfill our critical mission more thoroughly.
We also need to make a stronger case for the liberal arts narrative, which sometimes gets lost amidst a perception that the 4,000 institutions within our system of higher education are all the same.
Public and private universities, community colleges, and online and for-profit institutions employ different models of education than small, residential, undergraduate colleges. These liberal arts colleges provide a hand-tooled education that requires students to work collaboratively in small groups to solve complex problems.
Conducted on close-knit residential campuses, this approach fosters intellectual confidence, a sense of community and the ability to assess risks and move forward with courage in uncertain times. These are skills of the type needed by 21st century citizen leaders who will face problems not yet defined. But when they are, solutions will not come from the narrow margins of vocational training, but the interdisciplinary crossover of fields.
A recent study by the Social Science Research Council found those who tested best at the liberal arts skills of critical thinking, thoughtful communication and broad-based problem solving were far more likely to be better off financially than those who scored lowest. They were also three times less likely to be jobless, live with their parents and far more likely to avoid credit card debt. In addition, a 2011-2012 College Salary Report by Payscale.com lists the median starting and mid-career salaries of graduates from national liberal arts colleges among the highest in the nation.
Despite our meaningful new dialogue that reveals common philosophies, values and shared challenges, it is also clearer than ever that no two colleges are the same -- and as we collaborate and fine-tune what we offer, each institution must understand and clearly articulate its own unique mission. At the end of the day, we must discover more efficient ways to do what we do while preserving the best of who we are.
by Daniel Weiss, Lafayette College President.
Source

Thứ Ba, 8 tháng 5, 2012

Môn Văn ở trường Pomfret

Môn Văn ở trường trung học Mỹ được gọi là môn English, là một trong những môn học quan trọng nhất. Hãy xem học sinh ở Pomfret học Văn thì học những nội dung gì dựa trên các courses được dạy ở Pomfret School năm học 2012-2013.


Ứng với 4 cấp lớp từ lớp 9 đến 12 là bốn core classes: English I, II, III, IV dạy các kỹ năng reading, writing và phân tích các tác phẩm văn học tương ứng với mỗi trình độ. 

Có hai lớp chuyên theo chương trình AP dành cho các học sinh giỏi: AP English Language & Composition cho lớp 11 và AP English Literature & Composition cho lớp 12. 

Ngoài ra còn có elective courses, là các lớp tự chọn mà học sinh có thể tùy ý lựa chọn theo sở thích. Có đến 16 lớp tự chọn thành ra học sinh không thể nào học hết các lớp mà phải tuyển chọn cẩn thận những lớp mà mình phù hợp và ưa thích nhất. 

Những lớp elective này rất phong phú về nội dung bao gồm từ lớp chuyên về Shakespeare, nghiên cứu các tác phẩm không chỉ về mặt ngôn từ, ý tưởng mà qua đó còn phân tích về tâm lý và tâm hồn con người, đến lớp suốt cả một term chỉ học về một tác phẩm Anna Karenina của Leon Tolstoy, tiểu thuyết được cho là một trong những tác phẩm vĩ đại nhất của nhân loại. Nội dung của lớp, qua tác phẩm sẽ đi theo hai hành trình song song tìm kiếm hạnh phúc của cuộc sống trong bối cảnh hạn chế về giới tính, xã hội và gia đình. 

Cũng cùng chủ đề nghiên cứu về những tác phẩm kinh điển và vĩ đại có course Great Books, qua việc đọc những tác phẩm hết sức đa dạng từ cổ Hy lạp đến Japan hiện đại như The Fall của Albert Camus, Fathers and Sons của Tugenev, Symposium của Plato, The Prince của Niccolo Machiavelli, Nicomachean Ethics của AristotleKokoro của Natsume Soseki để trả lời cho những câu hỏi triết học muôn thuở của nhân loại: ý nghĩa cuộc sống là gì? đức tính nào vĩ đại nhất? tình yêu rốt cục là gì? tình bạn và sự phản bội, danh dự và vô đạo đức, hy sinh và thu vén cá nhân,...

Cuối khóa học, học sinh được đánh giá bằng rất nhiều hoạt động: thuyết trình theo đề tài trước lớp; hoàn thành bài luận cuối khóa theo chủ đề được giao, viết thu hoạch cho toàn bộ những thu lượm trong suốt quá trình học và làm bài kiểm tra kiến thức. 

Việc học văn qua nghiên cứu văn học cổ điển của nhân loại cũng được giới thiệu qua một course gọi là
Classisc in Translation. Trong course này các tác phẩm được chọn có chủ đề tương tự hoặc liên hệ với nhau, gần đây là - unfulfilled love, madness, remembrance nhưng được viết nguyên bản ở các ngôn ngữ French, Russian, Noewegian, German, Italian và Japanese. 

Cùng một chủ đề nhưng học sinh sẽ lần lượt đọc từ quốc gia này qua quốc gia khác với bối cảnh không gian và thời gian của tác phẩm. Những tác phẩm có thể là tiểu thuyết, truyện ngắn, kịch hay thơ sẽ được phân tích để học sinh cảm nhận về văn hóa và văn học của các dân tộc. Những tác giả có tác phẩm được lựa chọn là Gogol, Goethe, Dostoevski, Kafka, Prevost, Neruda, Chekhov and Ibsen

Sự phong phú ở đây trở nên quá thừa thãi khi mà học sinh còn có thể chọn lựa các course khác cũng không kém đặc sắc và đa dạng như course A day, nghiên cứu ba tác phẩm Mrs. Dalloway của Virginia Woolf, One Day in the Life of Ivan Denisovich của Alexander Solzhenitsyn, và Saturday của Ian McEwan. Cả ba đều kể về các sự kiện xảy ra trong một ngày của một nhân vật qua đó bộc lộ chiều sâu của cả một cuộc đời.

Course East Asian Literature tìm hiểu về văn học cổ Trung hoa, Nhật bản và Hàn, qua đó khám phá văn hóa truyền thống phương Đông. 

Một góc văn học Mỹ được giới thiệu qua course American Voice học về các phong cách khác nhau từ true-crime đến hip-hop culture, từ Truman Capote đến Nella Larsen, David Sedaris.

Không chỉ giới hạn ở các course về nghiên cứu tác phẩm, chương trình có rất nhiều course về kỹ thuật viết văn xuôi, văn vần, kịch, diễn văn,... Course Creative Writing dạy cách viết fiction và poetry mà hầu hết thời gian dành cho việc thực tập viết và bình văn lẫn nhau. Kết quả của course dựa trên tác phẩm cuối khóa của học sinh. 

Course Intro to Playwriting dạy kỹ thuật viết kịch theo Aristotle's six elements of drama, cách sử dụng các công cụ hành động, nhân vật, ý tưởng, ngôn ngữ, âm nhạc và bài trí sân khấu. Để vượt qua khóa học, học sinh phải hoàn thành một vở kịch một vai. 

Những học sinh muốn áp dụng kỹ năng viết trong ngành báo chí có thể học course
Journalism. Khóa học dạy học sinh những căn bản vững chắc về báo chí ngay từ đầu không chỉ là kỹ năng và phong cách viết báo mà còn học về văn hóa truyền thông và tầm quan trọng của hệ thống truyền thông ở Mỹ. 

Bắt đầu là bài học đạo đức và vai trò xã hội của nhà báo qua các bài báo kinh điển của George Eliot, Frederick Douglass, John Steinbeck đến những bài tập viết về các chủ đề quen thuộc như chủng tộc, giới tính, cộng đồng, nhà nước, thế giới, xã hội,...

Course Writing Poetry dạy học sinh kỹ thuật làm thơ, cách tạo hình tượng nghệ thuật, nhịp điệu của ngôn từ. Học sinh phải hoàn thành ít nhất 8 bài thơ để được công nhận hoàn thành khóa học. 

Course Writing Short Fiction dạy học sinh thích viết truyện ngắn biết cách kể một câu chuyện một cách nghệ thuật và có kỹ thuật. 

Course Mystery Literature dành cho học sinh ưa thích văn học kinh dị, còn course Public Speaking thì hướng dẫn cách chuẩn bị và trình bày một bài nói chuyện trước công chúng.

Quả là một bữa tiệc buffet phong phú, đa dạng, và rất hấp dẫn. Học sinh ngoài phần bắt buộc có rất nhiều sự lựa chọn để hoàn thiện kỹ năng đọc, viết; khả năng cảm thụ văn học; điều kiện hoàn hảo để phát triển năng khiếu sáng tạo nghệ thuật. Nội dung phong phú, thực tế, giá trị phổ quát trang bị cho học sinh nền kiến thức văn hóa cơ bản cần thiết. 


Về Kỹ năng viết

Theo dõi Su học ở Pomfret, rút ra một điều tâm đắc về sự khác biệt quan trọng giữa giáo dục ở Mỹ và Việt nam: đó là rèn luyện học sinh về kỹ năng viết. Có thể nói kỹ năng viết hay writing là trung tâm của mọi hoạt động học tập ở trường của học sinh.

Học sinh dường như buộc phải viết hàng ngày về đủ mọi chủ đề, nội dung, trong tất cả các môn học, hoạt động, sinh hoạt. 

Từ những bài viết bắt buộc hàng tuần giới hạn 200 đến 500 từ của môn English đến những bài thu hoạch mỗi nửa tháng của các môn học như History, Social Studies, Chemistry,...

Từ những cuộc thi viết văn thơ hàng năm với các giải thưởng danh giá mà giám khảo là những nhà văn đương thời có tiếng tăm đến những giải thưởng mini là các gift card trị giá $25 cho các bài essay ngắn về các chủ đề như integrity, responsibility hay sympathy. 

Từ những yêu cầu giải thích lý do khi muốn đăng ký một hoạt động nào đó hay cạnh tranh một vị trí lãnh đạo đến những bài chapel speech mỗi tuần đều đòi hỏi học sinh phải có một kỹ năng viết thành thạo; khả năng diễn đạt ý tưởng rõ ràng, thể hiện suy nghĩ, tư duy của mình mạch lạc, sáng sủa trong giới hạn số từ cho phép.

Hai trung tâm quan trọng nhất của trường là Math Center và Writing Center nơi các học sinh tập trung hàng ngày ngoài giờ học để rèn luyện kỹ năng làm toán và viết văn; là nơi các học sinh xuất sắc được tuyển chọn (cũng qua các bài essay) làm tutor hướng dẫn các bạn đồng môn.

Ngoài ra học sinh còn có muôn vàn cơ hội để viết nếu ưa thích qua các hoạt động ngoại khóa viết báo, blog, web site của trường. Những việc này không bao giờ thừa vì học sinh nào cũng biết rằng ngoài điểm số trung bình của các năm học, hai yếu tố quan trọng quyết định việc vào đại học là điểm SAT và bài essay. 

Phần writing của SAT nay đã trở thành bắt buộc và chiếm 1/3 số điểm cùng với Critical Reading và Math. Còn bài essay trong hồ sơ tuyển sinh có thể nói là yếu tố duy nhất giúp học sinh đưa mình nổi bật lên giữa hàng ngàn vạn hồ sơ được giám khảo xem xét.     
 
Dễ thấy sự khác biệt này giữa hai hệ thống giáo dục đã tạo ra những sản phẩm khác biệt. Dù có tư duy trừu tượng tốt, kỹ năng giải toán cao, khả năng suy luận không tồi và có rất nhiều kiến thức, nhiều học sinh xuất sắc của Việt nam bị hạn chế về khả năng diễn đạt, hời hợt về nhận thức, lủng củng về logic khi phải trình bày những vấn đề lý luận phức tạp. 

Thiếu kỹ năng viết hoàn chỉnh, bước sau cùng của các thao tác tư duy: nghĩ - nói - viết*, không khó để giải thích hiện tượng học sinh Việt nam hụt hơi khi lên đến trình độ cao hoặc đuối sức trong các lĩnh vực khoa học xã hội.

*Theo E.M.Forster, tiểu thuyết gia người Anh: "Tôi không bao giờ biết rõ những gì tôi nghĩ cho đến khi tôi nói nó ra, và khi tôi đã nói tôi không biết rõ những gì tôi đã nói cho đến khi tôi viết nó. Sau đó tôi phân tích những gì tôi đã viết và hoàn thiện nó"


Nu thi tốt nghiệp tiểu học

Hôm nay Nu đi thi tốt nghiệp tiểu học môn Tiếng Việt tại trường Đuốc Sống, 96 Thạch Thị Thanh, Q1. Bố chở Nu đi từ sáng sớm chưa đến 6g và đãi Nu một bát phở nóng. Ngày mai Nu thi môn Toán.
Cập nhật: Kết quả Nu được Toán 10, Tiếng Việt 10.

Thứ Ba, 24 tháng 4, 2012

Discovering My Passion at Pomfret

Bài viết của Su được đăng ở blog của Pomfret vào sinh nhật thứ 17 của Su, một trùng hợp ngẫu nhiên thú vị! Mong được đọc nhiều bài của Su đăng ở đây hơn nữa. 
Nhận xét của Bố: viết khá, bố cục chặt chẽ hợp lý nhưng vẫn còn dài dòng, rườm rà. Cần đơn giản, tinh gọn mà sắc sảo bằng cách nâng cao kỹ năng sử dụng cấu trúc câu gọn, hợp lý và kỹ thuật dùng từ chính xác giàu hình tượng và hàm ý.   

Before going to Pomfret, I had never thought of creating any stories on my own. In my mind, writing a story was something completely impossible and for skilled writers only. Now and then, I would come up with an idea for a story, but as soon as I was about to write, my mind turned blank. I got fed up with creative writing after several failed attempts.

It was purely coincidental that I took the writing short fiction class. Having signed up for the journalism class in the first place, I was distraught when I found out that the course was full. I then took a risk and tried the creative writing course with the mindset that I could drop it if I wanted to. 

However, this idea subtly faded away with every class I took. My teacher, Ms. Michelle Brown, was one of the reasons I changed my mind. 

She taught the class with all her heart and passion, patiently helping us go through the obstacles that a writer has to deal with. Ms. Brown has a very unique way of teaching – she showed us the basics and from that we were allowed to develop our own ideas and style freely. 

When analyzing a fictional story, she gives everyone a chance to express their opinions first and then adds her own. She does not tell us the way we must feel about the story, because she believes that a story can be interpreted in many ways, depending on how it relates to the reader. This is why everyone in the class was so willing to participate, making the class more dynamic.

We had to write a short story each week. Although the class was intensive in writing, the prompts and assignments were so interesting and thought provoking that I did not feel stressed at all. I remember the first assignment, which was to write a fable with an undefined moral. We wrote various prompts – from imitating the style of famous writers to fictional dialogues, from a response to a picture we saw to flash fiction, and finally a five to seven page story. 

Intermittently, we had some fun exercises like eavesdropping on a conversation, memorizing and reciting a dialogue and reading our stories for the national radio – it was actually for the Pomfret School radio – but we’re did it in the style of National Public Radio. 

Throughout the course, I was challenged to imagine I was someone else – not a 16 year-old boy in a boarding school. I transformed myself into a spider, went back in time to be a little kid, placed myself in the shoes of a widower and even morphed into a middle-aged woman who had lost her son. The course taught me that there is no limit to anyone’s imagination.

Creating something original is hard, but fixing it to make it better is even harder. That is what the workshop sessions had taught me. 

On every Monday, we sat down as a class to talk about everyone’s stories. At first it was a little bit hard, but as soon as we realized how much it would benefit us as a writer to criticize or have our stories criticized, we all gave each other earnest and constructive opinions. 

Because of the workshop sessions, I tasted the bitter disappointment of a writer who realizes that his stories – the ones he spent hours and so much effort on – were nothing but trash under the ruthless critique of his peers. However, I also benefited a lot from these experiences. 

Day by day, I became audacious and bold. I dared to try and dared to fail. I loved my stories because they were my sweat and blood, but I was not afraid to fix them and make them better. In the end, my effort proved not to be fruitless at all. I was able to compose my first and original portfolio named Agony for the end of the class.

To be honest, there were times when I thought of nothing to write and that I wanted to drop the class. Nevertheless, the encouragement of Ms. Brown and my peers helped me get through. Looking back at those moments, I realized that I am capable of doing much more than I could imagine. 

Right now, I am taking the elective Advanced Writing, challenging myself with poems and fiction at a higher level. I will also attend a writing camp next summer, since I had found out that creative writing is my passion.

Chủ Nhật, 22 tháng 4, 2012

Thứ Năm, 19 tháng 4, 2012

National Poetry Month at Pomfret School

Writer in Residence and author Michelle Chan Brown kicked off the spring Tuesday Night Speaker Series by reading her own works of poetry in honor of National Poetry Month.  
Prior to reading her poems during the evening, Michelle shared how each of her works was inspired. She spoke of how her “Poem a Day” prompts with her literature class led her to write about Moorish castle she saw during her travels in Lisbon.  
She read a 14-line sonnet, which was inspired by the hypnotist she saw while on weekend duty and she also read the title poem from her Kore Press Award winning book Double Agent. 
Michelle’s poems showed the variety of style, humor, seriousness and intrigue, and was a terrific way to celebrate poetry!


Michell Brown là cô giáo English của Su từ đầu năm đến giờ. Su đang theo lớp English IV Honor và bắt đầu tập tễnh làm thơ vì đó là nội dung bắt buộc của course. 

Thứ Tư, 18 tháng 4, 2012

Pomfret School in Cape Town

Một blog của Sharon Geyer được lập ra chỉ để ghi lại chuyến đi Cape Town vừa rồi của Pomfret School. Rất thú vị và có nhiều hình của Su. Đặc biệt là những chi tiết đầy đủ về sự cố visa ở JFK Airport.

Su ở mỏm đá tận cùng của châu Phi

Thứ Hai, 9 tháng 4, 2012

Making big decisions about money

It is always a debate when talking about money, especially about the way someone is spending for something luxury.
A discussion on making big decisions about money by Seth Godin, a business and marketing guru. Read his comparing of colleges choice.

Happy Easter!

Pomfret celebrated Easter with a trip to Broadway New York for "Jesus Christ Superstar" by Neil Simon Theatre. Su was certainly much happy on that show.



Thứ Bảy, 31 tháng 3, 2012

Thứ Tư, 28 tháng 3, 2012

Về một người Mỹ gốc Hàn

Cách đây vài ngày, ông Jim Yong Kim một người Mỹ gốc Hàn được tổng thống Obama đề cử làm chủ tịch mới của World Bank. Theo Business Insider, ông này thực sự là một gã rất "cool", với 10 lý do sau:

1. He raps and dances with college students. 
2. He was the president of his high school class.
3. He was quarterback of his high school football team.
4. He was point guard of his high school basketball team.
5. He invited Conan O'Brien to speak at Dartmouth College's 2011 Commencement.
6. He is a five handicap in golf. President Obama remarked, "I'm a little resentful about that." Dartmouth professor Sydney Finkelstein adds that Kim does "speed golf" on the course at 5 AM before others get there.
7. He was ranked #9 on Fast Company's list of "100 Most Creative People in Business" for his efforts to apply U.S. academic research to health-care programs in the developing world.
8. He immigrated to the United States from Seoul, South Korea, at the age of five.
9. He was awarded a "Genius Grant"—given to 20-40 U.S. citizens annually who "show exceptional merit and promise for continued and enhanced creative work"—by the John D. and Catherine T. MacArthur Foundation.
10. According to Conan O'Brien, Kim's friends call him "Jim Kim, J to the K, Special K, JK Rowling, the Just Kidding Kimster, and most puzzling, 'Stinky Pete.'"
Và dĩ nhiên không nên quên rằng ông hiện đang là hiệu trưởng của Darthmouth.

Nguồn
Note: JY Kim transfer từ University of Iowa sau năm thứ nhất đến Brown University, sau đó học MD & PhD ở Harvard.

Thứ Ba, 20 tháng 3, 2012

Tucker's report from South Africa (cont.)

Update with photo

Saturday, March 17, 2012
Our Visit to Robben Island

We took a ferry out to Robben Island on Wednesday morning to visit the prison where Nelson Mandela was held for 17 years. 

Our tour guide at the prison was a former prisoner during the apartheid era. He walked us through the grounds of the prison and led us into a large room that housed fifty prisoners. He told us about the living conditions in this room and the procedures that the guards used to classify the inmates. 

From this large cell, we walked out into the area that is referred to as Mandela's Garden, which is where inmates were forced to break rocks or sew bags for hours each day. 

This area was the only place that included a picture of the conditions at the prison. In the picture you can see a row of men tied to the ground, spread about four feet apart, hammering rocks, and a second row of men with a pile of bags, working in the hot sun. 

From the garden, we walked down the hall of solitary confinement cells, with a stop at Nelson Mandela's jail cell. Our last stop on the tour was another large cell with rows of benches. We all sat down to hear the story about the release of the prisoners and the negotiations for freedom. 

Our tour guide sent us away with the charge to pass along what we have learned here at Robben Island. 

Next we were given a driving tour around the rest of the island. Before it was a prison, Robben Island was also used as a leper colony. A small stone church is the only building left standing from that part of the Island's history; all the other buildings were burned. 

On the back side of the island, we saw cannons from World War II that were used to shoot down German ships. The driving tour concluded back at the ferry landing, which we boarded for our return to Cape Town.

Thứ Bảy, 17 tháng 3, 2012

Pomfret School - Winter Term Grades (cont.)

Activities
STEP Comments, S.T.E.P., Pam Mulcahy

The Sophomore Total Evaluation Plan (STEP) program matches each sophomore with a counselor for a meeting to discuss his or her experience at Pomfret, and to make a plan as to how to take full advantage of his or her remaining time on the hilltop. Joined by the advisor, each student is encouraged to discuss issues both in and out of the classroom. By way of preparation, he or she completes a questionnaire answering such practical questions as, "Do you feel you are reaching your potential as a student?" and completing such statements as, "The thing that you are good at that not many people know about is:" The students' interests and needs often dictate the direction of the conversations, but in any given meeting, typical topics of discussion are study habits, course interests, summer plans, standardized testing, athletics, club and activity offerings, leadership opportunities, the college placement process, possible career avenues, or even hobbies. The following comment is a summary of your son or daughter's STEP meeting. We encourage you to spend a few minutes discussing it with him or her.
An Hoang and his advisor, Phil Madore, met with me on Thursday, January 19th to discuss his work at Pomfret to date and to help him plan for the future. A quick look at An’s grades and testing convinced me that he has made excellent use of his time at Pomfret. His grades are all As in very challenging courses, and his scores on his PSATs place him in the 98th percentile of college bound students. Clearly, An has laid a solid foundation from which to move forward.
To date, An has enjoyed his time at Pomfret School. He enjoys his classes (especially English), his music lessons, the Tuesday night lectures and his participation in the Pontefract staff. To date, he seems to have made good use of the opportunities here. Asked what other programs he would like to get involved in, An stated that he would like to become a prefect.
For classes next year, An would like to take AP English, AP Calculus AB, either AP Chemistry or AP Biology, AP Music Theory and US History. In his senior year, he is hoping to take AP English Literature, AP Calculus BC, AP Statistics or Economics, AP European History and maybe an AP Science.
Looking to the future, An thinks he might like to become a doctor, like his mother, or a lawyer. Whatever he chooses to do, I feel confident that he will do it well.

Athletics
Winter Athletics, Drama (W), Chip Lamb
Pomfret Theatre presented WEST SIDE STORY on February 26-28 on the Hard Auditorium stage to some of the biggest audiences in recent memory. The cast and crew of over thirty students performed this classic of the American musical theatre with energy and gusto, providing our community with an event
that lifted our spirits in the last days of the long winter term. Through trust and teamwork, this group of students created a dazzling evening of song and dance that will not be easily forgotten. Their commitment to such a sophisticated and complex show was a sight to behold, and I want to congratulate each
and every one of the cast and crew for his or her accomplishment.
While An may not be known widely throughout our school, he is respected and liked by this cast and crew. He is quick and observant and came to the rescue more than once when someone else forgot what was supposed to be done. I hope he joins us again and continues writing reviews for the school newspaper.

Pomfret School - Winter Term Grades (cont.)

Chorus, Charles Houmard
The Pomfret Chorus is going to Ireland next March, 2013. Many chorus members will also use the spring term to prepare for the Griff Tone auditions. We are predicting five openings, one in each of the five sections of the chorus. All chorus members are encouraged to audition. Singers will be selected based
on stage presence, the ability to blend, sing in tune, learn music quickly and accurately, and their commitment to provide cohesion and stability within the ensemble. Being a member of the chorus has given many singers the advantage of having proven themselves in many of these areas, yet everyone
should keep in mind that the competition is intense.
An holds himself to an exceptionally high standard that, hopefully, will not get in the way of his joy for singing. He has made fine progress with Ms. St. Denis and has become one of the more reliable and quick-learning chorus members. I found his duet with Maddy for Broadway Night to be delightful. It is my hope that An not get discouraged as he finds his way to becoming a singer.

Recital Class, Charles Houmard
In the courses Private Instruction, Recital Class and Recital Performance, students meet once a week for a lesson with a private teacher. During the lesson the teacher assigns homework for the remaining class periods of the week. The cost for private lessons is $495.00 per term, and a minimum of nine lessons must be completed. Failure to attend a lesson for any reason (aside from an infirmary stay due to illness) will lower the student’s grade. Students taking this course are encouraged to join the various music ensembles at Pomfret. Advanced students are encouraged to enroll in Recital Class and Recital Performance during the winter and spring terms. Under these courses the students perform regularly before their peers and work with a private instructor to prepare a recital.
An Hoang’s Private Lesson teacher, Ms. St. Denis reports the following for this term: An continues to grow as a vocalist and musician. I am proud of his progress. He is always prepared for his lessons and applies what he is taught. An gave a beautiful performance at Pomfret's Broadway Night Gala where
he exhibited vast improvement. I look forward to continuing our work this spring.

Social Issues, Anne Miller
This course identifies and examines the many issues faced by adolescents including relationship to self/others, wellness, diet, mental health, sexuality, AIDS, drugs and alcohol. To facilitate our exploration we have drawn upon a bevy of resources from contemporary culture such as film, television, Internet sites, books, magazine and journal articles. In addition to understanding facts about the topic at hand, students are encouraged to think critically and compassionately, and to develop and give voice to their own opinion in preparation for making responsible decisions. Throughout the term, students work at building their own text/resource guide. Journaling, meditation, guided relaxation and/or visualization are introduced in an effort to encourage self-awareness. All written assignments are graded on a ten-point scale. Since midterm, students have concentrated on preparing for their final presentation. Emphasis was placed not only on factual content, but also on original and creative presentation style.
An was not afraid to ask clarifying questions and was always willing to share insights from Vietnamese culture in order to enrich our discussion of adolescent culture. I valued his contributions to our discussions. I was amazed at his ability to identify, grasp and connect the topics we covered.
Although this is not his culture, he consistently produced the most insightful work in the class. For his final project An chose to prepare a presentation on the topic of the effect of media on teens. He approached the process with a thoughtful and creative attitude. I was concerned that the topic might be too broad for a 20-minute presentation but his organizational skills and careful research produced a cohesive and informative result. He added film clips that illustrated racism, violence, teen pregnancy and drug abuse. His handout was an overview in pamphlet form that was rich in illustration and information. For his good work and creative approach he received a 10/10.

Pomfret School - Winter Term Grades (cont.)

English II - Honors, Wallace Rowe
The sophomores have spent a majority of the term working with FRANKENSTEIN. We are currently finishing up MACBETH, which has been a lot of fun, with many dramatic readings in class. In the coming term, we will also be reading A MONTH IN THE COUNTRY, BEOWULF, and GRENDEL in addition to working on grammar. This term has involved much more critical writing, and the focus has been the texts. We have written a major critical essay on each text, but have also done several smaller in-class writings on sections of the books to start the process of textual analysis. These journal entries form the cornerstone
of the critical-writing process. There was also a fun assignment called the Nursery Rhyme where the students chose a nursery rhyme and made the elements the basis for a crime which they then turned into an essay. We also have been doing some practice SAT essays as well. The final project of the term was a “Trail” of Macbeth for the killing of Duncan. Each member of the class was a member of the prosecution or defense and had to present their evidence to the Judge (me) and a final verdict was given. We also continued to do weekly vocabulary work.
An has been a great addition to the class. His grade is a reflection of that. His quiz average is a 100% and the highest in the class. He has struggled a little with his writing. I have been happy to help him with drafts of his essay. The area that is a concern is that An over-writes. He needs to understand that simplicity and focus is the key to a good essay. One good quote as support beats five so-so quotes. When he sees me with a rough draft, I end up crossing out half of it. He then sees me again, and it is much better. An needs to understand that he will be doing timed essays on both the SAT and the AP test. He will not have time to write the way he is doing on his own. Thus I am pushing for the simplicity and getting to the point quickly. He is responding. He had the highest test grade on the Frankenstein and Macbeth tests (93%, 94%). His poetry presentation—a power point one at that--on Smith’s Not Waving But Drowning was excellent and involved the whole class. He really understood the poem. He struggled a little on the Nursery Rhyme crime essay as that was creative, and he missed the creative essay that we worked on in the fall. I look forward to working with An in the coming term. There are some good texts, which I know he will enjoy.

Precalculus Honors, Marshall Eaton

Precalculus Honors is a yearlong course designed to prepare the student for the rigors of a college level, first year course in Calculus. Our focus during the second trimester has been trigonometry and its applications. Starting with the Trigonometric Definitions based upon the Unit Circle, our investigations
covered trigonometric identities, graphing, trigonometric inverse functions, solving triangles and complex numbers.
An continues to do stellar work in this course. He grasps concepts quickly and is able to present his work in a clear and concise manner. He does his work on a regular basis and is active in class discussions. I feel that he is preparing himself for Advanced Placement Calculus next year.

Modern World History since 1750, Jessica Keough

Modern World History tackled a few different projects this winter term. The class embarked on their investigation of World War I by taking an in-depth look at the factors that led to the outbreak of war in 1914. The students participated in a class activity where they needed to represent the desires and needs of
one country as they worked to form alliances. In another class, the students studied the assassination of Archduke Francis Ferdinand and how the event acted as a “spark” igniting all the tensions that had been building. Along with World War I, the students also worked on developing their research skills. The
first parts of project, research, thesis and outline have been completed and the class will come back in the spring to enter the writing phase of the project.
An had an outstanding term in Modern World History. From the start he demonstrated a mastery of the material, earning a 96% on our imperialism test and a perfect 100% on our preliminary NoodleBib project. From there An really chose to challenge himself as he chose the difficult topic of Hitler’s rise to power
as his research paper topic. He found out very quickly that he would have to work quite hard to find the information that would truly make his paper interesting and dynamic. He did not back down from the task at hand, rather he collected many different types of sources like Hitler’s own Mein Kampf, that helped him piece together his story of Hitler. The final elements of the research phase were the thesis paragraph and the paper outline. An earned a 9/10 and a 45/50 respectively on the assignments. He has set himself up nicely for the writing phase of the project that we will begin this spring. An is intelligent, driven, and full of potential. He is a pleasure to teach and I look forward to working with him again this spring!

Chemistry Honors, Donald Gibbs

In the second half of the winter term, Chemistry Honors students continued to examine the concept of limiting reagents by completing a series of labs focusing on the relationship between the coefficients of a balanced equation, the amount of reactants available, and the output of product. Students became experts in gravimetric analysis and molar conversions, and they performed a nifty experiment that used temperature change and graphical techniques to experimentally determine the molar ratios of a balanced equation. Another highlight was the launch of micro rockets powered by the reaction of hydrogen and oxygen gases. In the final month, we tackled solution chemistry, measures of concentration, solubility rules, and precipitation reactions. The 7 Solution Lab and a chemistry Murder Mystery tasked students to design experimental techniques and to apply reasoning skills to identify specific chemical reagents, solution concentrations, and the killer of Miss Scarlet. It was a fun and jam-packet term in Chemistry Honors!
An is the complete student in Chemistry Honors. He is an expert collaborator in lab; he asks patient but probing questions during discussion; and his work products and assessments are first-rate and uncommonly clear and detailed. Of course, all of these winning attributes are made possible by An’s strong daily preparation and by the personal commitment that he makes to submit quality work. I value most his warm smile and his enthusiastic charge up the steep learning curve that accompanies this course. He is well positioned to tackle the demanding material of the spring. Well done, An!

Pomfret School - Winter Term Grades

Thoắt cái học kỳ mùa Đông đã trôi qua. Đạt kết quả cao ở học kỳ đầu (Fall Term) đã khó vì tất cả còn rất mới mẻ nhưng để tiếp tục giữ được điểm cao cũng khó khăn chẳng kém. Vì các môn học ngày càng khó hơn; sức ỳ tâm lý khi đã quen. Chạy nhanh khó nhưng chạy đường dài càng khó hơn.
Rất may là học kỳ này Su vẫn giữ được vị trí, dù có chuệch choạc lúc ban đầu với một điểm B+, mà cũng chính nhờ điểm B+ này giúp Su choàng tỉnh khi ngủ quên trên chiến thắng.

Well done, Su!!!

Còn rất nhiều lớp AP đang chờ phía trước!!!


School Year: 2011 - 2012
Academics
Subjects Teacher Mid Winter Winter
Eng IV: Writing Short Fiction  Brown A- A-
English II - Honors  Rowe B+ A
English II  Ford
Precalculus Honors  Eaton A A
Modern World History since 1750 Keough A A
BIO: Marine Biology  Gibbs
Chemistry Honors  Gibbs A A
ENV: Earth and Environmental Tucker
Chorus  Hourmard A A
Private Instruction - Voice  Hourmard
Recital Class  Hourmard A A
Social Issues Miller A A


Winter Comments

Eng IV: Writing Short Fiction, Michelle Brown

In the second half of the term, we turned our attention to short-shorts or flash fiction, working with units of 10, 100, and 250 words. Students were called upon to “kill their darlings” and become aware of using descriptive language for narrative purpose. Students continued to write short exercises and full-length stories towards the culmination of the winter, the portfolio, and practiced reading and presenting their work for recording in a Selected Shorts-style podcast that will be broadcast on Pomfret’s own radio station. We also discussed revision versus editing, and read selections from the Scribner Anthology and National Public Radio.
Blood, sweat, tears…agony. I know the revision and critique process was painful for you, and pain, coincidentally, seems to be the theme that permeates your collection. You will be glad to know that your writerly anguish will not go unrewarded, because the drastic revisions you’ve made to these have improved them considerably. You’ve resisted clichés in plot and character, and the resulting three stories are surprising and strange. “The Pain of a Mother” is the most polished and “complete”; you’ve done good work creating an unreliable narrator. I would reconsider the title, though, which gives up the jig.
And I wonder a little about plausibility (even though we are seeing events through her eyes) – would the child yield so easily? Would the mother act so quickly in taking him? The story could be expanded, and there’s a lot of room for additional scenes in the time between the mother’s discovery of the child and her kidnapping (preparations, strategy, etc.). I might also consider using more imagery in the back-story. Create a single, precise image of the lost child, rather than a collage of familiar child-in-hospital stills, and that section might be more original. “The Pain of a Father” is your most problematic story – and your most ambitious. The way you handle grief here is genuinely fresh, but the reader gets distracted with all the action in the story, some of which doesn’t seem totally necessary or interesting, You’ve tied up a lot of loose ends here; many of the formerly superfluous details now feel essential. Of all the members of the workshop, you’ve done the most with the peer critique, and this ability to be self-critical will serve your writing well. I look forward to seeing you in another class.